Most of Lee's portraits are, in fact, self-portraits. Here, the gaze toward the viewer (much like that of somone looking into a mirror, or a camera) and the repressed emotion on the face, are both indications that 'Reflection' is yet another Lee self-portrait.
Intenso (Intense), sugar lift (2016)
Untitled, aquatint sugar lift (2016)
Two of Cups, lino (2015)
This Lino work uses symbology from traditional Tarot and is the artist's own version of the 'two of cups' card, with spilt water and an infinity motif being used to symbolise eternal loss.